| Suspended Animation by Michael Vance & Dr. Jon Suter |
April 7, 1999
Reviews in this issue:
Jack Cole
wore every hat in comics, and some large, floppy shoes as well. It was
flexibility, both figuratively and literally, that made Cole successful as a
writer, editor and artist during the early days of comics.
Born in
1914, he broke into magazine cartoons in 1935, then into comic books at the
Chesler Shop (1937-1939). As was true with all 'shops', Chesler produced
features for many different publishers who lacked their own artists and
writers.
He found
early recognition with his work on the superhero's Daredevil and Quicksilver,
and with the villain The Claw. But it wasn't until his creation of Plastic Man
that Cole entered the roll of a Master.
No one has
ever duplicated Cole's 'big-foot' art and viewpoint on Plastic Man. His subtle,
visual humor and the distinct personalities of his characters is evidence of
Cole's unique talent.
Plastic Man
began as a crook who fell into a vat of chemicals. It gave him the ability to
stretch his body into any shape imaginable, and Cole had a vast imagination.
Shaken by near death and his mutation, this crook converted and became one of
the most imitated superheroes.
Cole's
comics work included: "Peewee Throttle" (Globe, '38); "Officer
Clancy", "King Kole's Kourt" (Centaur '38); "Comet",
"Manhunter" (MLJ '39); "Dickie Dean", Silver Streak,
Daredevil, "Claw" (New Friday,'3941); "Hi Grass Twins"
(Novelty, '40); "Quicksilver" ('40), Plastic Man ('41-50), Midnight
('41-2, '45-'49), Death Patrol ('41-'44), the Barker ('44)--all Quality Comics;
and crime comics for Gleason (late '40s).
Cole also
sold cartoons to many magazines including Boy's Life and Playboy, worked on The
Spirit daily comic strip ('42-3) and his own strip, Betsy & Me ('58).
Tragically, Cole took his own life in 1958.
Jack Cole was
an early master of comics, and his work is highly recommended.
Some older
comics are expensive and difficult to locate. Price guides or comics dealers
help. Comic shops, conventions, mail order companies and trade journals are
best sources. Prices vary; shop around.
Questions? Comments? A comic you wish reviewed? Write: 1427 S. Delaware Ave., Tulsa, OK, 74104. Or email c/o starland@starland.com.
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