it. The appearance of one successful comic book character in the title of
another popular icon is seldom a gamble for publishers. But
"crossover" titles do not guarantee a winning hand for
readers...unless there is a Joker in the deck.
Batman's Joker is easily the most popular and recognized villain in comic book
history. The Mask is easily the most successful superhero rifle in Dark Horse
So, how can you lose?
You could lose yourself in the story.
While vandalizing a museum exhibit, The Joker dons an infamous mask that
unleashes a person's suppressed desires and morphs them into a super-powered,
invincible Tasmanian Devil on acid. Since Joker is already madness incarnate, it
enables him to finally accomplish his ultimate goal, to beat Batman within an
inch of that superhero's life.
With “Bats” out of the picture, the Joker's unstoppable crime wave quickly
leads the Clown Prince of Crime to boredom and...television!
You could lose yourself in the art.
Those pictures in Joker/Mask are drawn in the simple but dynamic style of
the current television animated series featuring the Caped Crusader. Dark but
cartoonish, the straightforward visual storytelling is flawless and exciting.
Harlequin could not be sexier, the Batman more grim, or The Joker less menacing.
Those words in Joker/Mask do an amazing job of capturing the essence of
both characters without lessening either. The subtle fear that always underlies
the Joker's ghastly face (when done right) is only heightened by the maniacal
hyper-energy that is the trademark of The Mask and many classic cartoons.
And super villain Poison Ivy is waiting to infect the third issue! So, how could
you lose, reader? You could buy Opra's new magazine instead of Joker/Mask.
But, then, the joke would be on you.
Joker/Mask is highly recommended for all ages.
Review by Michael Vance
Joker/Mask #s 1 & 2 (of 4)1$2.95 and 22 pages each, Dark Horse/DC
Comics/story: Henry Gilroy, Ronnie del Carmen; art: Ramon F. Bach/sold in comic
shops and by mail.
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